Where Next for Media Theory?

Where next for media theory? I’m thankful to Geert Lovink for his recent provocation on this question. Lovink thinks we have entered a post-Snowden era of media. So called ‘new’ media is dead, just as God is dead. Or, to vary the frame of reference, the ebullient schizo era of ...
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Birth of Thanaticism

Even its adherents have no problem calling it capitalism any more. Its critics seem to be reduced to adding modifiers to it: postfordist, neoliberal, or the rather charmingly optimistic ‘late’ capitalism. A bittersweet term, that one, as capitalism seems destined to outlive us all. I awoke from a dream with the ...
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Birth of Thanaticism

No More Master Thinkers

How often it transpires that the interesting thinkers were monsters. Heidegger was a Nazi. Schmitt was a Nazi. De Man was a collaborator, a thief, a liar and – to cap it off – a bigamist. Or, case of a different kind: Althusser strangled his wife, and was probably none ...
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Marxism for Unicorns

Benjamin Kunkel is having a moment. New York magazine has called him a “Marxist public intellectual.” This caused steam to shoot out of the ears of Gawker, who can’t get over the fact that a “Marxist public intellectual” went to a fancy-pants liberal arts college and has a pied-a-terre in ...
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RIP Stuart Hall

I was studying law when I first encountered the work of Stuart Hall. There were, and are, lots of ways into his work. The way he could find the tactical purchase of a concept or a tranche of historical data was one of his special qualities as an intellectual. Taking refuge ...
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A Tale of Zero Cities

The protesters standing in front of Google buses in San Francisco have a point. Rents are rising, and they blame the influx of tech workers for this. The dedicated private buses that whisk them off to their Bay Area companies are a potent symbol of the divide between different kinds ...
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RIP Madeleine Gins

  Approximately Arakawa and Gins      Or, G+A blew me away. McKenzie Wark   1. Not the least merit of this is that here writing resists the weapons of capture of other writing. This can’t be tackled with paraphrases, categories, or comparisons. There’s nothing here interested or interesting in being like something else.   2. This ...
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