The Outcast State

Shakespeare’s Unlikely Connection to Black Subjectivity

Now that race is the hottest topic of discussion, Othello is everywhere, positioned as the Shakespeare on race. This past semester, while we were reading the play, there were no fewer than four different Othello adaptations nearby: Bill Rauch’s production at the American Reparatory Theater, Mehmet Ali Sanlıkol’s Othello in the Seraglio, Keith Hamilton Cobb’s American Moor, and a ...
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