Trump says he was looking for corruption in Ukraine — where President Zelenskyy was known for mocking corruption in Ukraine

The public impeachment proceedings in the House of Representatives that started Wednesday focus on interactions between President Trump and Ukrainian President Volodymyr Zelenskyy. Trump and Zelenskyy are both showmen. Many Americans became familiar with Donald Trump in the reality show “The Apprentice.” Similarly, long before Zelenskyy became president in a landslide election, and more than a decade before he played one on television in “Servant of the People,” millions of Ukrainians knew Zelenskyy as the leader of comedy troupe Kvartal 95.

Zelenskyy’s career as a showman reveals Ukrainians’ shared sense of moral values, frustration with politicians’ corruption and national solidarity in the face of Russia’s politics of division. I’ll explain below.

Zelenskyy emphasized shared values

Trained as a lawyer, Zelenskyy made his name in the Russian-speaking world through competitive improvisational comedy, on a team from the industrial city of Kryvyi Rih in southeastern Ukraine. Zelenskyy was known for his loyalty: For more than two decades, he worked with the same group. When an offer came in the early 2000s to work for an improv troupe in Moscow, Zelenskyy turned it down. Such a move, he said, “would have been a betrayal.”

As professional actors performing on Ukrainian national television, Zelenskyy’s troupe focused on values that Ukrainians across the political spectrum could agree on. That included, above all, love for their country, and perseverance; its logo is a young Cossack — a rebranded reference to modern Ukraine — trying mightily to do a pull-up.

The troupe emphasized a belief in the state’s responsibility to build honest people, and people’s responsibility to work on themselves. They performed a ballad illustrating that national idea, “And do you remember?” The song paraphrased biblical ideas, including “It’s not worth looking for fault other than in yourself,” and urged personal responsibility with the phrase, “No one will build this country but you.”

Zelenskyy was best known for two things. First, he performed biting portrayals of politicians, including billionaire Ihor Kolomoisky, with whom Zelenskyy had business dealings. Second, he did sympathetic character sketches of people struggling with everyday realities. Whether playing a hospitalized psychiatric patient pressured to vote for former Ukrainian president Viktor Yanukovych or an apartment dweller waving a shotgun to threaten a postal worker delivering the electricity bill, Zelenskyy invited the audience to laugh not at the people he portrayed, but at the absurdity of the world as seen through their eyes.

Zelenskyy responded to Ukrainians fed up with corruption

When Zelenskyy talks, he sounds like a populist. In his debate in Olympic Stadium with sitting president Petro Poroshenko, Zelenskyy angrily confronted Poroshenko with a litany of questions that millions of Ukrainians would like to ask their politicians: “How do you sleep at night? … Have you ever tried to live on a 1,500 hryven ($60) pension for even a month?!”

Kicking off that debate, Zelenskyy announced, “I came here to break this system.” That system was not Ukraine’s institutions and laws, but the network of oligarchic power that under Yanukovych and Poroshenko ruled Ukraine, binding economic and political interests and making public office available for private gain.

His troupe’s musical number “I stay silent and smoke” used a leitmotif in a description of the Ukrainian government’s sustained abuses of its citizens. It asks: “How to go on? Smoke.” Zelenskyy would remain onstage at the end to address the nation’s politicians: “We warn you: Our smoking is hazardous to your health.”

But Zelenskyy is not like right-wing European populists who encourage nationalism. When Zelenskyy appeals to Ukrainians frustrated with the use of public office for private gain, he means everyone: not only his supporters, and not only ethnic Ukrainians.

Zelenskyy’s troupe grew in popularity during Yanukovych’s second term (2010-2014) as president. Those where the years when Trump’s former campaign manager, Paul Manafort, worked for Yanukovych. They were also the years when state corruption intensified, leading large parts of the country to protest on Kyiv’s Maidan in the fall and winter of 2013. In the following months, Yanukovych fled Ukraine, Russia seized Crimea, and Russian troops and separatists provoked a war in the east. Zelenskyy and his troupe talked and sang about it all.

Zelenskyy pushed back against Russia

Zelenskyy’s troupe skewered not only the corruption of Ukraine’s own politicians, but also Russia’s behavior toward Ukraine. Notwithstanding some commentators’ speculation about possible ties with the Kremlin, Zelenskyy has long made his own political views about Ukraine-Russia relationships clear.

In the early 2000s, Russia-Ukraine relationships were an explicit theme in his troupe’s performances. In a number showcasing Zelenskyy’s physical comedy, “Born to Dance,” a young Zelenskyy illustrated Russian behavior toward Ukraine using a sexual gesture. On a Moscow stage, he affably taunted the audience about Ukrainian sovereignty in Crimea.

Kvartal 95’s recent musical number “My Girl” presented an allegory of the war in Ukraine’s regions of the Donbas, the coal-rich basin of the Donets River where Russian forces and Ukrainian separatists have fought the Ukrainian army for five years, forcing more than 1.5 million people to flee their homes and leading to over 13,000 deaths. The song told the story of a couple of strange guys who show up in a young man’s village and try to steal the affection of the young woman he loves.

The song articulated an inclusive vision of Ukrainian identity, with terms of endearment covering Ukrainian territory from the nationalist west (“my Banderovka”) to the Russian-speaking Donbas (“my little miner”). During this part of the song, the audience would roar in approval.

The song also mocked Vladimir Putin, describing him as “a strange little type with a judo wrestler’s gait.” The troupe ended the number with a mic drop and an unequivocal message to the world: “Our advice: When freaky types come to you, don’t let them into the house. Take them down at the door.”

What Zelenskyy will accomplish as president, how his values translate into politics and how he will parry Ukraine’s vexed geopolitical position remain to be seen. What is clear is that Ukrainians saw Zelenskyy as offering a kind of moral leadership, sincerity and interest in their lives at a time in Ukraine’s history when their elected officials had lost their trust.

Jessica Pisano is associate professor of politics at the New School for Social Research in New York. This article was originally published by The Washington Post.