Sentencing the Present: Part Five

Critical conversations in a time of crisis

This is the final seminar of the "Sentencing the Present" series. For previous seminars, see part one, part two, part three and part four. A sentence is protean: It can describe, question, or cry out. A sentence is critical: In passing judgment, it names wrongs, makes decisions, and declares publicly. In ...
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Sentencing the Present: Part Five

Imaginal Politics

To any follower of the news, it may seem these days harder than ever to figure out what is real and what is delusional, and whether the delusional is an individual psychopathology or perhaps something more general. As Chiara Bottici puts it: “We live in a society of spectacles that ...
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Inventing the Future

“The ambition here is to take the future back from capitalism.” (127) Which would be all well and good if there still was a future. The encounter that never arrives in Srnicek and Williams (hereafter S+W) is with, say, the work of John Bellamy Foster or Jason Moore, which would ...
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On Galloway

Take the tv show, 24. In what sense could one say that the show is ‘political’? It certainly appears so in a ‘red state’ sort of way. The Jack Bauer character commits all sorts of crimes, including torture, in the name of ‘national security.’ But perhaps there’s more to it. Galloway draws ...
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On Hito Steyerl

Hito Steyerl is from that era when the politics of culture was all about representation. Sometimes the emphasis was on the question of who was represented; sometimes on the question of how. The latter question drove a series of inquiries and experiments in form. These experiments tended to focus fairly ...
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Communicative Capitalism

It seems I got the title for my book The Spectacle of Disintegration (Verso 2013) from reading Jodi Dean. I read her book Blog Theory: Feedback and Capture in the Circuits of Drive (Polity Press, 2010) in manuscript. On re-reading it, I find this: “disintegrating spectacles allow for ever more ...
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