Is There “Another Human Essence Than Self”?
An interpretation of Krzysztof Kieslowski’s 1991 film The Double Life of Véronique through a reading of Anne Carson’s 1992 essay “The Gender of Sound”
In an influential 1992 essay “The Gender of Sound,” the poet and classicist Anne Carson traced how Western culture has historically gendered sound, treating the female voice as excessive, disorderly, and sexual while associating masculine speech with reason, self-control, and civic order. Carson moves from Greek myth, tragedy, psychoanalysis, and ...
Read More
