When first published in 2002, The Rise of the Creative Class quickly established its author Richard Florida as an urban policy and business management guru. The Rise of the Creative Class heralded the emergence of a new class of worker who promised to lead the economy, and along with it the rest ...
This post is the first of two making a series of points: Here I answer Jeff Goldfarb’s points in the post he devoted to our common classes. In the second, I will stress a couple of issues that have to do with my central concern: the role of media as ...
Once I commit myself to a new theoretical project, I start realizing how my reading can illuminate it. Sometimes this involves a concerted effort. Thus these days I am re-reading Georg Simmel with an intuition that he can be a key theoretical guide in understanding the social condition. ...
In a series of posts, Jeff Goldfarb and I have been sketching an outline for the study of the social condition -- the predictable dilemmas that haunt social life. We argue that one of the core intellectual missions of sociology is to account for the ways in which social patterns ...
Georg Simmel (1858 – 1918) had a very precise and original conception of the subject matter of sociology: the forms, but not the contents, of human interaction. Sociology as a distinct discipline of human inquiry, he maintained, is directly comparable to geometry. As geometry, by studying the forms ...
Twenty-thirteen is a sad year for the social sciences and history. With the death of Janet Lippman Abu-Lughod (b. 1928) last Saturday, the best of academic learning has suffered another blow. Her passing joins the recent loss of her New School colleagues Eric Hobsbawm, Aristide Zolberg ...
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