Erotic Pleasure and Technological Mastery

An excerpt from The Comedy of Computation: Or, How I Learned to Stop Worrying and Love Obsolescence

Slavoj Žižek argues that gaming and virtual reality programs figure the computer as “a consistent other, stepping into the structural position of an intersubjective partner.” This claim follows on the heels of a reference to Jacques Lacan’s diagnosis in an infamous koan about the impossibility of sexual relations. For Lacan, ...
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Erotic Pleasure and Technological Mastery

Paolo Sorrentino on his new movie, La Grazia

An interview with the Italian film director on ordinariness, doubt, and jealousy at the heart of his new film

Editorial note: This interview contains spoilers. Paolo Sorrentino’s films are grand affairs, with elaborate camerawork and stunning settings underscored by memorable music. The plots match the grandeur of the mise-en-scène. In his new film, La Grazia, the purely cinematic elements of the film remain grand—and at times knowingly bizarre, like the ...
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Paolo Sorrentino on his new movie, <em>La Grazia</em>

In I’m Still Here, a Mother Refuses to Let a Dictatorship Rewrite Reality

Political engagement must not preclude the fullness of life

Put on earrings. Go out for ice cream. Swim. Expose the conditions of torture. For Eunice Paiva, the protagonist of 2024 Brazilian film I’m Still Here, the fight against dictatorship has a rhythm. After being interrogated about her association with communists and terrorists, she must now try to find out where ...
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In <em>I’m Still Here</em>, a Mother Refuses to Let a Dictatorship Rewrite Reality

A Monk Without a Monastery

The paradigm shift of a single shot in Wim Wenders’s Perfect Days

In the last shot of Perfect Days, this year’s Oscar-nominated masterpiece by Wim Wenders, a middle-aged Tokyoite named Hirayama drives through his city under a honey-colored sunrise. By this point in the film, we know it’s a habit for him to play a cassette in his ancient van’s tape deck ...
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A Monk Without a Monastery

Notes on Jonathan Glazer’s Zone of Interest

Mass dehumanization on the other side of the garden wall

When viewed against the backdrop of what Palestine’s Permanent Observer to the UN has called “the most thoroughly documented genocide in history,” Zone of Interest, Jonathan Glazer’s recent film about the genocide of the Jews, takes on a deeper meaning: “The reason I made this film,” Glazer said shortly after ...
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Notes on Jonathan Glazer’s <em>Zone of Interest </em>

On “Slow Cinema”

Does this contemporary movement represent a gentle resistance to the values of contemporary society—or a surrender to elitist aesthetics?

A thoughtful reflection on the unique allure of "slow cinema", its impact on audiences, and the intriguing debate it sparks about cultural representation and elitism. ...

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On “Slow Cinema”

A Pioneering Palestinian Film Offers a Quantum of Solace

For those who question the capacity of rap to deliver powerful positive messages of social change, Slingshot Hip Hop supplies an answer

Slingshot Hip Hop ends with a pan-Palestinian concert in the West Bank—minus the one rap group Israeli officers wouldn’t let exit Gaza. Even in their absence, the other groups maintain optimism: a belief that things can change, including people's minds. ...

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A Pioneering Palestinian Film Offers a Quantum of Solace