Film & Performing Arts Archives

The Defiant Spirit of Palestinian Parkour

A conversation with filmmaker Areeb Zuaiter on her documentary Yalla Parkour and making art amid genocide

May 12, 2026 • by Rida Chaudhry and Areeb Zuaiter

A decade ago, filmmaker Areeb Zuaiter was glued to her screen watching the 2014 Israeli offensive on Gaza when a different kind of video interrupted her feed: smiling young men laughing between backflips as bombs darkened the sky behind them. The Nablus-born documentarian was partly curious and partly enamored with ...

The Defiant Spirit of Palestinian Parkour

Film & Performing Arts

Think Happy Thoughts

An excerpt from The Extended Universe: How Disney Killed the Movies and Took Over the World

May 11, 2026 • by Vicky Osterweil

In the wake of the animator’s strike, Walt’s reflexive conservatism turned into a frothing anti-communism. But while his politics grew more unhinged and hateful, his creative output turned definitively toward the production of nostalgia. Song of the South’s reenvisioning of plantation childhood was one particularly egregious example, as was Peter ...

Film & Performing Arts

Choreographing the Handshake of Capitalism

In Making Movement Modern, Whitney E. Laemmli explores the dizzying story of Labanotation, a movement visualization system that promised the key to self-understanding

May 7, 2026 • by Madeleine Adams

Have you ever watched a video of yourself and wondered, “Why do my hands look so stiff when I gesture?” or “Geez, my walk is really galumphing!” And then, inevitably, “Would my life be different if I only knew how to move?” To this last question, the adherents of the ...

Choreographing the Handshake of Capitalism

Film & Performing Arts

Everyone Loves the Straight-Passing Gay Man

What Heated Rivalry tells us about queer acceptability

May 5, 2026 • by Tanmay Pandya

Over a phone call a few weeks ago, a childhood friend told me she had found among her possessions a long-forgotten, black-and-gold diary that had once belonged to me—that had now, so many years later, mysteriously appeared in her custody. Curious to hear its contents, I asked her to recite ...

Everyone Loves the Straight-Passing Gay Man

Disability

What Does Disabled Dance Look Like?

Choreographers like Brian Golden wrestle with the NEA’s attempt to define and delimit disability aesthetics

April 30, 2026 • by Liana Zhen-ai

Early last year, I brought a friend along to a Trisha Brown performance at Sadler’s Wells in London. The friend, new to postmodern dance, listened patiently as I droned on about its principles: “It’s a lot of holding strange shapes and multi-tasking with different parts of the body,” I summarized. ...

Film & Performing Arts

Paolo Sorrentino on his new movie, La Grazia

An interview with the Italian film director on ordinariness, doubt, and jealousy at the heart of his new film

December 8, 2025 • by Mitchell Abidor and Paolo Sorrentino

Editorial note: This interview contains spoilers. Paolo Sorrentino’s films are grand affairs, with elaborate camerawork and stunning settings underscored by memorable music. The plots match the grandeur of the mise-en-scène. In his new film, La Grazia, the purely cinematic elements of the film remain grand—and at times knowingly bizarre, like the ...

Paolo Sorrentino on his new movie, La Grazia

Film & Performing Arts

Good Versions of the Right Film

2025’s summer blockbusters are, like those before them, oversized ploys for maximum profit. They’re still not big enough for Hollywood.

November 5, 2025 • by Amelia Nonemacher

At any point this summer, you could take refuge from the heat in one of the nation’s chain movie theaters and enjoy a good old summer blockbuster. Whether you chose to watch the “most authentic” racing movie ever made (F1); a heroic tale of human kindness triumphing over tech moguls-turned-arms-dealers ...

Film & Performing Arts

Revelations and Reservations at the 2025 New York Film Festival

Blame it on Mommy and Daddy

October 10, 2025 • by Mitchell Abidor

It’s almost as if the selection committee for the recently ended sixty-third New York Film Festival (NYFF) was acknowledging that giants no longer walk the cinematic earth when it chose to screen Richard Linklater’s Nouvelle Vague and Noah Baumbach’s Jay Kelly. Both directors are among the most important of American ...

Revelations and Reservations at the 2025 New York Film Festival

Film & Performing Arts

The Art of Change: A Libretto

Opera 0.2: A Prelude

September 18, 2025 • by Jean-Baptiste Barrière, Chiara Bottici and Matteo Procuranti

Synopsis: A community decides to pursue its revolutionary dream by adopting the principle of accelerated change, and applies it to every aspect of social life. The result is a utopian (or dystopian) world that may (or may not) turn out to be ours. Event 1. Prologue Flutist in dialogue with video projections ...

Film & Performing Arts

The Fate of the Artist Under Totalitarianism

A conversation with German novelist Daniel Kehlmann

June 17, 2025 • by Mitchell Abidor and Daniel Kehlmann

Mitchell Abidor interviews Daniel Kehlmann about examining the curious saga of Austrian filmmaker G. W. Pabst in his new novel, THE DIRECTOR....

The Fate of the Artist Under Totalitarianism

Film & Performing Arts

In I’m Still Here, a Mother Refuses to Let a Dictatorship Rewrite Reality

Political engagement must not preclude the fullness of life

April 9, 2025 • by Sonali Chakravarti

Put on earrings. Go out for ice cream. Swim. Expose the conditions of torture. For Eunice Paiva, the protagonist of 2024 Brazilian film I’m Still Here, the fight against dictatorship has a rhythm. After being interrogated about her association with communists and terrorists, she must now try to find out where ...

In I’m Still Here, a Mother Refuses to Let a Dictatorship Rewrite Reality

Film & Performing Arts

A Monk Without a Monastery

The paradigm shift of a single shot in Wim Wenders’s Perfect Days

December 2, 2024 • by Daniel Kopp and Nicholas Johnston

In the last shot of Perfect Days, this year’s Oscar-nominated masterpiece by Wim Wenders, a middle-aged Tokyoite named Hirayama drives through his city under a honey-colored sunrise. By this point in the film, we know it’s a habit for him to play a cassette in his ancient van’s tape deck ...