An Artwork Animated by Its Audience
The principles of dynamic symmetry behind José Clemente Orozco’s Call to Revolution and Table of Universal Brotherhood
—To my father, Xavier Moyssén Lechuga
When José Clemente Orozco received a commission to paint a mural cycle at the New School for Social Research in late 1930, he was told that the murals would be on the walls of the student dining room. The room would have people moving in ...
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