Paolo Sorrentino on his new movie, La Grazia

An interview with the Italian film director on ordinariness, doubt, and jealousy at the heart of his new film

Editorial note: This interview contains spoilers. Paolo Sorrentino’s films are grand affairs, with elaborate camerawork and stunning settings underscored by memorable music. The plots match the grandeur of the mise-en-scène. In his new film, La Grazia, the purely cinematic elements of the film remain grand—and at times knowingly bizarre, like the ...
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Paolo Sorrentino on his new movie, <em>La Grazia</em>

In I’m Still Here, a Mother Refuses to Let a Dictatorship Rewrite Reality

Political engagement must not preclude the fullness of life

Put on earrings. Go out for ice cream. Swim. Expose the conditions of torture. For Eunice Paiva, the protagonist of 2024 Brazilian film I’m Still Here, the fight against dictatorship has a rhythm. After being interrogated about her association with communists and terrorists, she must now try to find out where ...
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In <em>I’m Still Here</em>, a Mother Refuses to Let a Dictatorship Rewrite Reality

Shakespeare’s Ultimate Crip Text

In a new Richard III, populism is the pathology

When I bought my ticket for this summer’s production of Shakespeare’s Richard III at the Globe Theater in London, I chose a seat under cover of the rafters rather than a place standing directly in front of the stage—a distinction designed to echo the several ways that Elizabethans could experience ...
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Shakespeare’s Ultimate Crip Text