Larissa Pham on Her New Novel, Discipline, and Finding Truth in Disaster

On the elasticity of art, the detritus of memory, and making the reader sweat

Larissa Pham’s new novel, Discipline (Random House, 2026), started out as something else entirely. “I was going to write ten really gnomic, mysterious meditations on American paintings,” she told me, as we chatted on a snowy day in January. “I have this whole fantasy of writing these weird meditations. And ...
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Larissa Pham on Her New Novel, Discipline, and Finding Truth in Disaster

Brick by Brick: Richard Siken Rebuilds His Interior World

In I Do Know Some Things, the poet proposes an “encyclopedia of self”

“Who you are and who you think you are: They grind against each other, sand in the frosting,” poet and painter Richard Siken writes in his long-awaited third collection. I Do Know Some Things (Copper Canyon Press, 2025) continues his previous exploration of selfhood, but with a harrowing purpose. In ...
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Brick by Brick: Richard Siken Rebuilds His Interior World

A Transdisciplinary Foray Into Classical Performance

Cloud Variations presents performers, chamber orchestra, and poetry in a prismatic exploration of language, translation, and mother tongue

Poet and performer J. Mae Barizo’s monodrama Cloud Variations is a transdisciplinary foray interweaving poetry, chamber orchestra, visual art, and theater. The piece places Barizo’s “Cloud Pantoum,” a poem previously published in The Atlantic, in conversation with Philip Glass’s Symphony No. 3 to create a kaleidoscopic meditation on body, technology, ...
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A Transdisciplinary Foray Into Classical Performance

First as Comedy, Then as Farce

A conversation with Benjamin Mangrum on the assembly of The Comedy of Computation

When confronted with change we don’t understand, there is only one thing to do: laugh. Or so says MIT literature professor Benjamin Mangrum. In his new book, The Comedy of Computation: Or, How I Learned to Stop Worrying and Love Obsolescence (Stanford University Press, 2025), Mangrum peers into the archives ...
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First as Comedy, Then as Farce

Joanna Walsh’s E-Elegy

Amateurs! How We Built Internet Culture and Why It Matters offers a remembrance of posts past

Here’s a theory: The posts, tags, and profiles that constitute the internet are all works of art, produced by amateur artists. Whether or not these amateurs recognize their work’s “artiness” is irrelevant; participation on the internet requires acts of intentional creation and studied self-representation, with the express purpose of display, ...
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Joanna Walsh’s E-Elegy

Against Storytelling

Stories are certainly utilized as a strategy to touch people’s hearts—but mostly when there is something to sell

The glorification of storytelling to define who we are or save the planet induces aversion in some: Philosopher Byung-Chul Han calls the obsession “story-selling.” Do digitally packaged stories restrict how we perceive our often rambling, fragmentary lives? Could alternatives be found in open, porous and incomplete narratives, even when confronting ...
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Against Storytelling

Paolo Sorrentino on his new movie, La Grazia

An interview with the Italian film director on ordinariness, doubt, and jealousy at the heart of his new film

Editorial note: This interview contains spoilers. Paolo Sorrentino’s films are grand affairs, with elaborate camerawork and stunning settings underscored by memorable music. The plots match the grandeur of the mise-en-scène. In his new film, La Grazia, the purely cinematic elements of the film remain grand—and at times knowingly bizarre, like the ...
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Paolo Sorrentino on his new movie, La Grazia

Palestinians in Their Own Words, Their Own Genres

A review of Gaza: The Story of a Genocide

With the release of Gaza: The Story of a Genocide (Verso, October 2025), editors Fatima Bhutto and Sonia Faleiro bring us a powerful addition to a lamentable literary genre: the genocide anthology. Comprising more than 20 works of poetry, art, essays, and reportage by 23 contributors—many of them Palestinian—this volume ...
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Palestinians in Their Own Words, Their Own Genres

Naguib Mahfouz’s Last Dreams of Cairo

In a new translation of the author’s late writing, dreaming is an act of mapping Egyptian identity

The Arabic word barzakh refers to the liminal space between death and the day of judgment. In his introduction to a new collection of Naguib Mahfouz’s late-career writing on dreams, editor and translator Hisham Matar describes Mahfouz ensconced in a barzakh-like state during the final decade of his life. In ...
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Naguib Mahfouz’s Last Dreams of Cairo

Good Versions of the Right Film

2025’s summer blockbusters are, like those before them, oversized ploys for maximum profit. They’re still not big enough for Hollywood.

At any point this summer, you could take refuge from the heat in one of the nation’s chain movie theaters and enjoy a good old summer blockbuster. Whether you chose to watch the “most authentic” racing movie ever made (F1); a heroic tale of human kindness triumphing over tech moguls-turned-arms-dealers ...
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Good Versions of the Right Film

Shakespeare Among the French Romantics

One way to take the temperature of a society in crisis

In 1776, Voltaire penned a letter to the Académie Française. His subject was Shakespeare, his mood grim. He was responding to a new translation into French of the playwright’s work, still little known to France.  In the context of the French Enlightenment, Shakespeare came as a shock. Instead of dramatizing nobility of ...
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Shakespeare Among the French Romantics