Electronic Music’s Savior Complex

Amphetamines, techno, and radical politics in Aria Aber’s Good Girl

Those who set foot in Berlin’s famous nightclubs can sense desire coursing through the air, as palpable as the reverberations of the electronic music within. It’s an easy enough formula of seduction: a door policy that leaves you seeking approval from staff who never disclose their criteria for entry; dark, ...
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Electronic Music’s Savior Complex

Dancing in Purgatory With Devon Walker-Figueroa

Episode 16: “Silences are as carefully plotted as each syllable”

In Episode 16 of Multi-Verse, Devon Walker-Figueroa reads her poem “Private Lessons,” in which a dying man determines that his young pupil must become a prima ballerina, and chats with host Evangeline Riddiford Graham about the uses of silence, breaking Dante’s rhyme scheme, and what it means to be haunted ...
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Dancing in Purgatory With Devon Walker-Figueroa

Dancing is my Amazing Grace

How art taken up as a child has shaped the rhythm of my life

Dance is my catharsis: when I dance, the rest of the world fades away. I could not be more grateful for my dance education—it has propelled me to unimaginable heights and unexpected friendships. I’ve traveled the country to better my dancing, and in the process I’ve befriended people from all over ...
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Dancing is my Amazing Grace

Dance+Talk: Paramodernities Live!

Streaming performances with commentary, May 4-9, 2020, at 3pm

Questions frame the construction of Netta Yerushalmy’s monumental performance project, Paramodernities, which debuted in 2018. And from May 4-9, the questions and conversation will move online, with daily streaming of an installment followed by commentary and chat with noted theorists and artists. Yerushalmy pulled me into the project as the writer and a performer in ...
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Dance+Talk: Paramodernities Live!

Dancing is Work

And it’s one of many ways we experience magic time

I asked Vernon Scott, President of the Board of Directors, if he would do me a favor: hold this event on Wednesday -- because it’s my 95th birthday. He said no. In the mid 1950s, I was sitting on the steps of my loft residence on East 17th Street talking with ...
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Dancing is Work