Film & Performing Arts Archives - Page 2 of 4

Manga Colossus Goes Inflatable on Broadway

A review of Attack on Titan: The Musical

November 26, 2024 • by Abha Deshmukh

Sitting in a mezzanine seat at the New York City Center, I was startled by a Colossal Titan coming to eat me. But I relaxed when Survey Corps soldiers came spinning and flying on their mobility gear to slice the Titan’s neck which is, after all, the proper way to ...

Manga Colossus Goes Inflatable on Broadway

Film & Performing Arts

La Chimera‘s Tomb Raiders Unearth the Intersections of Past and Present

Do the souls of the dead miss what we have taken and sold?

October 16, 2024 • by Taylor Stout

One setting in Alice Rohrwacher’s 2024 film, La Chimera, collapses two thousand years of Italian history: an Etruscan gravesite in the shadow of a power plant. Here, where polluted ocean water laps at ancient dirt, the film’s merry band of tomb raiders (tombaroli) discover an untouched tomb brimming with artifacts—most ...

La Chimera‘s Tomb Raiders Unearth the Intersections of Past and Present

Film & Performing Arts

Enter the Glow

Hannah Burns explores identity, escapism, and queer belonging in I Saw the TV Glow

October 9, 2024 • by Hannah Burns

Sometimes the only place we can be ourselves is inside the media we consume. Sometimes that is where we see options, where we feel less “other.” Watching I Saw the TV Glow, I loved the thought that Jane Schoenbrun’s amazing new film will join a queer film canon in which a ...

Film & Performing Arts

Notes on Jonathan Glazer’s Zone of Interest

Mass dehumanization on the other side of the garden wall

September 25, 2024 • by Anonymous

When viewed against the backdrop of what Palestine’s Permanent Observer to the UN has called “the most thoroughly documented genocide in history,” Zone of Interest, Jonathan Glazer’s recent film about the genocide of the Jews, takes on a deeper meaning: “The reason I made this film,” Glazer said shortly after ...

Notes on Jonathan Glazer’s Zone of Interest

Disability

Shakespeare’s Ultimate Crip Text

In a new Richard III, populism is the pathology

September 10, 2024 • by Antoinette Burton

When I bought my ticket for this summer’s production of Shakespeare’s Richard III at the Globe Theater in London, I chose a seat under cover of the rafters rather than a place standing directly in front of the stage—a distinction designed to echo the several ways that Elizabethans could experience ...

Film & Performing Arts

The Transformations of Katherine Dunham

The dance pioneer’s contributions to postmodern anthropology

June 11, 2024 • by Megan Robinson

The possibilities open to an anthropologist engaging with her fieldwork in a creative way is what drew me to the Dunham Technique in the first place....

Film & Performing Arts

A Love Affair Without Sex?

Slow, the latest film by director Marija Kavtaradzė, is a heartfelt portrait of a couple on terra incognita

May 2, 2024 • by Mitchell Abidor and Marija Kavtaradzė

Slow, the latest film by director Marija Kavtaradzė, is a heartfelt portrait of a couple on terra incognita...

Film & Performing Arts

A Band on the Brink of Collapse

David Adjmi’s Stereophonic heads to Broadway

April 9, 2024 • by Emma Minor

The image of musicians in a recording studio beset by interpersonal tensions—while making their best music—is so familiar it leads a listener to wonder, Is the strife all somehow necessary?...

Europe & Central Asia

War and Peace in Jonathan Glazer’s Zone of Interest

How the banality of everyday life keeps us fenced off from evil

March 25, 2024 • by Tomer Dotan-Dreyfus

In a way, our memory culture both in Germany and in Israel is an exact reversal of the reality revealed by the film. Perhaps that's why the film seems to annoy many people in Germany, who complain that it shows the "perpetrator's perspective." But memory must also be a memory ...