A Year After Cuts to USAID, an Urgent Reminder from the Ukraine-Poland Border

Documentary photographer Nancy Richards Farese captures the effects of Russia’s war in Ukraine and the US’s shutdown of foreign aid

In Przemyśl, a small city on the Ukrainian–Polish border, the train station has become something of a moral center. Late one November evening, fluorescent lights glare against steel rails as the night train from Kyiv pulls in late—again. The delay is familiar now. Russian forces bombed the rail line earlier ...
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A Year After Cuts to USAID, an Urgent Reminder from the Ukraine-Poland Border

Against Innocence

Unravelling the myth of the depoliticized child

1.  In my early twenties, I was captivated by the idea that creative processes can return us to the boundless dreamscapes of our childhood. Only back then, I thought, could we afford to experience the world somatically. Not yet captured by social conventions, our bodies had the potential to become everything. ...
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Against Innocence

A House in the Middle of the Road

The cannibal colonization of homes and roads during Palestine’s Great Revolt

I spent the summer of 2025 in Bayt Lahm (Bethlehem), conducting archival research in the Jacir family’s historic dar, a beautiful two-story home built in the nineteenth century from Jerusalem stone. Taking a break one afternoon, I watched a short film, Mehdi Amel:The Colonial Mode of Production (2024), by the ...
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A House in the Middle of the Road

The Moral Right to Defend Yourself Against ICE

If constitutional constraints are real limits on government power, their violation must sometimes justify the same defensive responses that other rights violations justify

If you saw an armed stranger in body armor forcing his way into your neighbor's home at dawn, dragging a screaming mother away from her children while pointing a rifle at the family, would you have the right to stop him? By any means necessary? Now the forbidden version: What if ...
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The Moral Right to Defend Yourself Against ICE

Switzerland, January 22

After the thugs

Walking past the pavilion proclaiming “Freedom 250.” The blank metal of the decaled window frames, evokes nothing of the sort. Faded wraps in red, white, and blue remind one of a gambling parlor in some bedraggled third-tier pedestrian mall. Or of the sort of images that enthusiastic men glue to cars and motorbikes. Strip ...
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Switzerland, January 22

One Battle After Another

With ICE in Minneapolis: An eyewitness account

On Tuesday morning, January 13, I was driving home after dropping my 9-year-old son off at school. There were ICE vehicles everywhere, I was surrounded by them on Park Ave. After a block or two of this, I parked and got out of my car. I saw that there were many ...
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One Battle After Another

“Things Happen”

On one’s sense of impending doom

Americans have long enjoyed a robust and righteous sense of impunity. No matter how badly our government blundered, we nevertheless clung confidently to the notion that we would always land on our feet. It has been said (allegedly by Bismarck, but there is little evidence to support the attribution) that “there ...
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“Things Happen”

Finding the Equator

A conversation on the failures of Western media after Gaza and a new cosmopolitan publication that answers the call for change

Suzy Hansen is an author and journalist whose work examines the blind spots of American liberalism and the failures of Western journalism. She is one of the founding editors of Equator, a new online publication created in the aftermath of October 7, 2023, to address censorship in liberal media coverage. ...
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Finding the Equator

Paolo Sorrentino on his new movie, La Grazia

An interview with the Italian film director on ordinariness, doubt, and jealousy at the heart of his new film

Editorial note: This interview contains spoilers. Paolo Sorrentino’s films are grand affairs, with elaborate camerawork and stunning settings underscored by memorable music. The plots match the grandeur of the mise-en-scène. In his new film, La Grazia, the purely cinematic elements of the film remain grand—and at times knowingly bizarre, like the ...
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Paolo Sorrentino on his new movie, La Grazia

The Words We Learn to Fear

How authoritarianism begins with the policing of language

The Polish poet Czesław Miłosz once wrote, “Language is the only homeland.” I didn’t understand that line until my own country broke apart. Now I see what he meant—when people learn to fear their own words, it is its own form of exile. Two of my uncles learned this early: ...
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The Words We Learn to Fear

Honest Truths From Wrongful Deaths

In an excerpt from Our Grief Is Not a Cry for War: The Movement to Stop the War on Terror, the author surveys how left-wing intellectuals responded to 9/11

The first war the United States fought following 9/11, I argue, was a “war of interpretation” over the root causes and deep meaning of the attacks themselves. Below is a section from the first chapter of Our Grief Is Not a Cry for War (University of Chicago Press, 2025), in ...
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Honest Truths From Wrongful Deaths