What Does Disabled Dance Look Like?
Choreographers like Brian Golden wrestle with the NEA’s attempt to define and delimit disability aesthetics
Early last year, I brought a friend along to a Trisha Brown performance at Sadler’s Wells in London. The friend, new to postmodern dance, listened patiently as I droned on about its principles: “It’s a lot of holding strange shapes and multi-tasking with different parts of the body,” I summarized. ...
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