An Artwork Animated by Its Audience

The principles of dynamic symmetry behind José Clemente Orozco’s Call to Revolution and Table of Universal Brotherhood

—To my father, Xavier Moyssén Lechuga When José Clemente Orozco received a commission to paint a mural cycle at the New School for Social Research in late 1930, he was told that the murals would be on the walls of the student dining room. The room would have people moving in ...
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An Artwork Animated by Its Audience

Critchley on Recognition

Philosopher Simon Critchley addressed the 2026 graduates of the New School for Social Research

We are delighted to publish the address delivered at the 2026 New School for Social Research Recognition Ceremony by Simon Critchley, Hans Jonas Professor of Philosophy at NSSR. Minor edits have been made for brevity. Well, it’s been another peaceful, happy and crisis-free year at The New School. We here onstage ...
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Critchley on Recognition

Resisting Cynicism and Neototalitarianism

The ideological dogmatism of left and right might dissipate within a radical center that is open and inclusive

As part of an ongoing symposium on Jeffrey Goldfarb’s latest book on the retreat of democracy, Gray Is Beautiful: Confronting the Retreat of Democracy from the Radical Center, Siobhan Kattago opens up another window on the concept of the radical center, noting that while the term “radical center” may sound like a ...
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Resisting Cynicism and Neototalitarianism

Thoughts on “the Radical Center” and the Defense of Democracy

On the limits of the limits of either/or thinking

As part of an ongoing symposium on Jeffrey Goldfarb’s latest book on the retreat of democracy, Gray Is Beautiful: Confronting the Retreat of Democracy from the Radical Center, Jeffrey C. Isaac suggests that this “paradoxical idea” (paradoxical, for how can “radicalism” be “centrist?”) is best defended by Goldfarb himself but that ...
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Thoughts on “the Radical Center” and the Defense of Democracy

Understanding the Retreat of Democracy With Jeff Goldfarb’s Gray Is Beautiful

On creating a free space of exploration

As part of an ongoing symposium on Jeffrey Goldfarb’s latest book on the retreat of democracy, series editor Irit Dekel reflects on how the book’s subtitle, Confronting the Retreat of Democracy From the Radical Center, poses the potent tensions that are crucial for attempting to solve the problems at hand, suggesting that ...
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Understanding the Retreat of Democracy With Jeff Goldfarb’s Gray Is Beautiful

An Awful Color

A short story inspired by the history of the Orozco frescoes at The New School

The New School for Social Research will keep indefinitely a yellow cotton curtain over the "Revolutionary Violence" section of a mural in the school's cafeteria by the late Mexican artist José Clemente Orozco, because the painting "does not express the philosophy of the faculty," Dr. Hans Simons, president of the ...
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An Awful Color

Orozco’s Rainbow

An alchemical analysis

José Clemente Orozco’s first experience in the United States was colored by Jim Crow–era violence. At the border entrypoint of Laredo, Texas, guards burned 60 of the young artist’s drawings. This was 1917; it could have been worse. At least 124 people of Mexican descent were lynched in Texas between ...
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Orozco’s Rainbow

A Transdisciplinary Foray Into Classical Performance

Cloud Variations presents performers, chamber orchestra, and poetry in a prismatic exploration of language, translation, and mother tongue

Poet and performer J. Mae Barizo’s monodrama Cloud Variations is a transdisciplinary foray interweaving poetry, chamber orchestra, visual art, and theater. The piece places Barizo’s “Cloud Pantoum,” a poem previously published in The Atlantic, in conversation with Philip Glass’s Symphony No. 3 to create a kaleidoscopic meditation on body, technology, ...
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A Transdisciplinary Foray Into Classical Performance